MainEQ preset pack 301019
Get the preset pack here As a tutorial, a short description of the choices behind every preset. De_Muddify 400Hz region often means "Mud". Cutting that band usually removes too much weight from the track. In this preset the band is set to be cut on low levels and...
read more
PSLTubeComp – Features and instructions.
PSLTubeComp is a product in a series developed with www.prostudiolive.com. We followed a complicated procedure to make this one: design an original tube device, build it as a prototype, calibrate and analyse it, model it as a software product. This way we were able to...
read more
MainEQ – Features and instructions.
MainEQ is built around a main set of filters: 1 resonant Low-Shelf filter. 1 resonant High-Shelf filter. 8 parametric peaking filters. It also includes some auxiliary filters: High-Pass filter. Low-Pass filter. Tilt filter. Frequency and gain for each main filter is...
read more
MainEQ – In a mix (compressing and making room for vocals)
(All tracks copyright Ron Marinelli 2010). MainEQ is a parametric equaliser but also a dynamic EQ with some special features: inter-band and inter-track dynamics, Mid/Side continuous fading of its action and more. In this tutorial we use several instances in a full...
read more
Rock Sound
In this post we are going to build our ''true rock tone'' using our virtual amplifiers and pedals. We recommend to use Deluxe1 and TwinR amps. It's not necessary to have huge quantities of pedals to play classic rock music, but we also think about the "nerds of sound"...
read more
Guitar/Bass Custom Shop – Presets, Parts, IRs
Announcing the ReTube Custom Shop. Virtual parts for amplifiers, guitars and basses: pickup models, speakers and cabinets, sets of tubes, sound presets. Tailor your sound. Here is a preview on a few sound presets for guitar. Deluxe1 Deluxe1 - P90 Phaser Deluxe1 - SHOD...
read more
PedalBench Guitar/Bass effects bundle offer – New Guitar/Bass/Mix pedals series.
A series of new Guitar/Bass effects, crafted with care, covering a big part of all the wide spectrum of effects for guitar and bass sounds but also useful for synths and mixing. Classic sounds, analog quality, real feeling. Get the special bundle NOW and save...
read more
Verbtone v.2 – Plate Reverb with tube stage and multiple plates. Real vintage, physical models.
A huge upgrade for Verbtone. Main new features: Multiple plates. Select the active plate on the frame for a wide palette of effects. Tap on the plate for a quick idea of the style. New tube stage. From clean and warm to dirty. It is a component-level physical,...
read more
R200 – A physical model of a great, unique classic guitar amplifier.
R200 is a faithful, physically modeled reproduction of a vintage, quite unique amplifier. The input signal is split in low and high frequency ranges. The low range is amplified and diffused through a fixed speaker while the high range is diffused through three...
read more
Sound Analysis – Deluxe1|Billy Gibbons (ZZ Top)
Photo by Violeta Alvarez - https://www.houstonpress.com/music/billy-gibbons-gets-some-cuban-satisfaction-with-the-bfgs-7975402 Today we are going to talk about Billy Gibbons. He’s known for using Marshall JCM 900 Dual Reverb, Marshall Bluesbreaker but also some Fender...
read more
Sound Analysis – Deluxe1|Neil Young
Neil Young is definitely one of the guitarists who has been using a lot the Tweed Deluxe during all his carrier. He experimented long before finding his own sound (he used Mesa/Boogie amplifiers, Fender amplifiers) but nothing could be compared to Tweed Deluxe's...
read more
Percolate – Stereo Tube Circuits at the deepest level.
Percolate is a stereo tube amplifier, modelled at the deepest possible level, including a model for every single component in the circuit. It is a stereo, two stages amplifier, with input and output transformers, preamplifier stage, tone control, power push-pull stage...
read more
MasterLimiter – Simple or Deep Mastering Tool.
Features: Fast release and Slow release knobs. They set the extremes for a dinamically modulated release time constant. The faster the release, the higher the perceived volume, the easier it will distort (mainly on low frequencies). Set them to useful extremes...
read more
Deluxe1 – A carefully hand-crafted model of a classic vintage guitar tube amplifier.
Deluxe1 is a carefully crafted model of a classic. One of the simplest but, probably, most interesting tube amplifiers for guitar. Few controls: Input Gain. Tone. Tremolo Amplitude. Tremolo Speed. Output Volume. All the circuits, from the guitar pickup to preamplifier...
read more
P83 – A big studio phaser from the past – Instructions
P83 is based on a simple structure, with two independent channels controlled by a common LFO (Low Frequency Oscillator). It is modeled after a vintage studio effect, used from subtle enhancement to strong phasing and special effects. Controls and description. LFO...
read more
wwwave – An infinite drum machine – online
wwwave is a new concept (currently in beta-testing stage). A self-generating, ever-growing library of percussive samples, with a public sample generator, always available online, with an online sequencer and a few special features. Plus an unique, experimental,...
read more
P83 – A big studio phaser from the past
From a vintage studio effect, a stereo phaser with lots of versatility. From stereo widening to subtle enhancement to creative effects. A single low frequency oscillator (LFO) controls the modulation of two separate channels of phasing (left and right), with...
read more
Roundtone v.4 – Description and tips
Roundtone v.4 is built as an extension of the original concept of Roundtone v.3. The sound is the same, the interface has been improved, some parameters have been grouped differently to better mimic the interface of a real tape machine. It includes several tape...
read more
EchoTaps – a big set of presets.
Here is a big set of presets, all kinds of uses, for EchoTaps. It is the same set available for AAX format as a single file in EchoTaps page's download section. As usual, select the whole text for a preset (don't include the name), right-click "Copy", press the "Paste...
read more
Roundtone 4 – Tape machines, from detailed control to abuse.
We expanded it. The great sound of Roundtone, with its tape saturation and natural smoothing of transients is untouched. We added lots of details and some great features on top of it: Speed control. From 30 inches per second (ips) down to almost zero. Several tape...
read more
Master Tools – New “Tag Tempo” feature.
A little, big addition to Master Tools online mastering system: Tag Tempo in your discussion. Used to small notes on paper with tempo tags like "@ 02:15 it could sound louder" or "I think I can hear it distorting @2:55"? Now it is easy and effective: tag tempo in your...
read more
Master Tools – Share and discuss your audio online with selected users: “Listening Room”.
Master Tools is a simple and effective online mastering system. A powerful feature is the ability to share and discuss your work online with selected users (bandmates, customers, etc.) with audio available there in a player. Share it, listen and discuss from anywhere...
read more
Master Tools – Online mastering system.
Master Tools is an online mastering system available to all active SKnote users (owners of at least one active license of a SKnote product). It can be accessed HERE Probably we all agree that artistic activities cannot be left to robots but there are a lot of...
read more
Disto-S – More Presets on Drums.
Some presets programmed on drums, a few of them on the dirty side. As usual, select the whole text for a preset (not including the title) and press "Preset Paste" on Disto-S. Remeber that the GR value in the title is the average gain reduction you need to set to get...
read more
Marconi1 – Discrete “73” Preamplifier and Equaliser – Hands on components.
Marconi1 is a "component-level" model of one of the most famous and appreciated Preamplifier and Equaliser channels in the world. Every single component has been modeled while preservating original topologies and all the "non ideal" behaviours to offer the most...
read more
SoundBrigade – A manual from a user
(Written by Andrew J Klimek) Concept SoundBrigade uses non-linear phase IIR (infinite impulse response) filters (Quinto prefers their sound). The filters are arranged and programmed in such a way a lot of them are working even if you see action only in one narrow...
read more
Disto-S – Presets on Bass.
Use these with Disto-S. Copy the whole text for a preset, right-click "Copy", press "Preset Paste" on the effect. Set the input Gain to get a peak gain reduction similar to the amount written in parentheses for each preset (or do whatever you like). Bass - 10:1 Opto...
read more
Disto-S – Presets on Piano.
Here is a set of specific presets for Disto-S programmed on piano. As always, select the whole preset, right-click "Copy", press "Preset Paste" on the effect. Set the input Gain knob to get gain reduction peaks similar to the values listed in parentheses for the...
read more
Disto-S – Presets on Vocals.
Here we go with a set of presets programmed on vocals. Each title should give a tip about the use. The amount in parentheses is the max gain reduction. For a lighter effect, you can reduce the input gain a bit and/or increase the "Mix" parameter. The Auto-Gain feature...
read more
Disto-S – Presets on Drums.
This is a list of presets for Disto-S programmed on a stereo drums loop. Auto-Gain feature has been kept active while programming the sounds, so all the presets are RMS-level-matched! To use one preset: select the whole text, right-click "Copy", press "Preset Paste"...
read more
Disto-S – Instructions.
Disto-S is a simple and powerful version of Disto, and includes the new algorithm and an extremely powerful autogain feature for automated level matching (matches output level to input level, see a separate post for details). Disto-S emulates a Distressor hardware...
read more
Disto-S – Using the Auto-Gain feature.
Disto-S includes the Auto-Gain feature. It matches RMS levels between input and output signals. The definition of "level-matching" can be a bit fuzzy, actually. While it is well defined on a steady signal (a tone), it is not on an audio track, like some drumming. When...
read more
Ch5 Classic Console – A few presets
A few presets programmed for the Ch5 channel strip. To use a preset: select the whole text right-click "copy" on plugin's interface, press "preset paste" "Kick-Drum" preset. CH5 010000 Fader 0.6222910285 PreGain 0.7349999547 PreVol 0.3149999976 HiPass 0.0000000000...
read more
Guitar/Bass Custom Shop – Going live online.
Going live with the first set of units. Virtual Amplifiers, Cabinets, Pedals, with optional sets of Tubes, Cones, Pickups, Transformers, fine tuning, customisation, demo rooms...
read more
Ch5 – Emulation of a classic – Instructions.
Ch5 is an emulation of a set of three devices, tipically modules of one of the most classic consoles around. Characterful and interesting. The modules are: - Preamplifier and meters. - Equaliser (proportional Q). - Compressor/Limiter. Additional features are: - Fader....
read more
DolA – Rules of thumb.
DolA is an extremely simple processor, apparently, it requires a good understanding of what is happening for the best results, though. It is based on a vintage trick: a noise reduction processor, used in its "encoding" or "rec" mode, is used as enhancer to open the...
read more
Mastering Uplifting Trance with SDC and Mid/Side Compression
Mastering is all about making an already good mix sound even better. Using a mastering-grade compressor, then, is pretty much mandatory as it helps to glue all the different parts together, and make them sound more coherent. In many cases, a stereo (L-R) compressor...
read more
Processing Industrial Drums with Grasso
So, we’ve been working on a little industrial tune lately. Everything is pretty much finished, except the drums sound a little dry and plain in their current state – time to change that! For this we reach for a real ‘Swiss Army Knife’ kind of plugin: the saturation...
read more
Ch5 – Classic Channel. With DSP.
Ch5. A Channel Strip modeled after one of the most classic consoles around. Mic channel. Character. Smooth Hipass and Lowpass. Four bands of "discrete" EQ for classic sound. "Proportional Q". Vintage characterful compressor. Aggressive where needed. "All Buttons In"...
read more
Microphones – Which is which test.
Which one is the best microphone in this comparison. Hitting drums and cymbals. Microphone comparison, which one is better, why. Track1...
read more